National Imaginaries, American Identities: The Cultural Work of American Iconography - Larry J Reynolds - Books - Princeton University Press - 9780691009957 - November 26, 2000
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National Imaginaries, American Identities: The Cultural Work of American Iconography

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Drawing on such varied texts and visual media as daguerrotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to illuminate the psyche of the American nation.


Commendation Quotes: This volume constitutes an important, very teachable collection, and will come to serve as a central reference for both scholars and students in the fields of American Studies, American Art History, Film Studies, and African-American Studies. Marc Notes: Incl. bibl. ref.; Cloth avail. @ $49.95. Publisher Marketing: From the American Revolution to the present, the United States has enjoyed a rich and persuasive visual culture. These images have constructed, sustained, and disseminated social values and identities, but this unwieldy, sometimes untidy form of cultural expression has received less systematic attention than other modes of depicting American life. Recently, scholars in the humanities have developed a new critical approach to reading images and the cultural work they perform. This practice, American cultural iconography, is generating sophisticated analyses of how images organize our public life. The contributions to this volume exhibit the extraordinary scope and interpretive power of this interdisciplinary study while illuminating the dark corners of the nation's psyche. Drawing on such varied texts and visual media as daguerreotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to teach us who we are and who we are not. They examine mimesis in elegant portraits of black Freemasons, industrial-age representations of national parks, and postwar photographs of atomic destruction. They consider how visual culture has described and disclosed the politics of racialized sexuality, whether subconsciously affirming it in the shadows of film noir or deliberately contesting it through the interethnic incest of John Sayles's "Lone Star." Students of literature, film, and history will find that these essays extend the frontier of American studies. The contributors are Maurice Wallace, Dennis Berthold, Alan Trachtenberg, Shirley Samuels, Jenny Franchot, Cecelia Tichi, Eric Lott, Bryan C. Taylor, and Jose E. Limon."

Contributor Bio:  Reynolds, Larry J Larry J. Reynolds is Thomas Franklin Mayo Professor in Liberal Arts and Professor of English at Texas A&M University, where he co-founded and served as first director of the Interdisciplinary Group for Historical Literary Study. He is author of James Kirke Paulding and European Revolutions and the American Literary Renaissance and co-editor of "These Sad But Glorious Days": Dispatches from Europe, 1846 1850 and New Historical Literary Study. Contributor Bio:  Hutner, Gordon Gordon Hutner is professor of English at the University of Illinois at Urbana-Champaign and founding editor of the journal "American Literary History".

Media Books     Paperback Book   (Book with soft cover and glued back)
Released November 26, 2000
ISBN13 9780691009957
Publishers Princeton University Press
Pages 248
Dimensions 152 × 235 × 15 mm   ·   369 g
Language English  
Editor Hutner, Gordon
Editor Reynolds, Larry J.

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