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Critical Race Theory and Copyright in American Dance: Whiteness as Status Property Caroline Joan S. Picart
Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
Caroline Joan S. Picart
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
256 pages, 6 black & white illustrations
| Media | Books Hardcover Book (Book with hard spine and cover) |
| Released | November 7, 2013 |
| ISBN13 | 9781137321961 |
| Publishers | Palgrave Macmillan |
| Pages | 243 |
| Dimensions | 138 × 222 × 19 mm · 428 g |
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