Sam Shepard and the Aesthetics of Performance - What is Theatre? - E. Creedon - Books - Palgrave Macmillan - 9781137530578 - July 22, 2015
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Sam Shepard and the Aesthetics of Performance - What is Theatre?

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By concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.


Marc Notes: Includes bibliographical references and index. Table of Contents: Introduction1. Surrealism and Sam Shepard's Early Plays: 1964 19672. Myth, Ritual and a Search for Selfhood: Surrealism in Sam Shepard's Plays from 1969 to 19723. Sam Shepard's Family Plays and the Representation of Gender4. A Comparative Study of Sam Shepard's Angel City (1976) and Luis Bunuel's and Salvador Dali's Un chien andal ou (1929)5. Tongues (1978), Savage/Love (1979) and The War in Heaven: Angel's Monologue (1985): Joseph Chaikin and Sam Shepard in Collaboration6. States of Shock (1991) and Simpatico (1994): Performances of Waste7. Conclusion: Through the 1990s and Beyond"Biographical Note: Emma Creedon has lectured at University College Dublin, Ireland and the National University of Ireland, Galway. She has also worked as a playwright and theatre director and her work has been published in the Journal of Contemporary Drama in English and Word and Text: A Journal of Literary Studies and Linguistics. Dr. Creedon was awarded her PhD from University College Dublin.

Media Books     Hardcover Book   (Book with hard spine and cover)
Released July 22, 2015
ISBN13 9781137530578
Publishers Palgrave Macmillan
Pages 199
Dimensions 147 × 225 × 18 mm   ·   400 g

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