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Sam Shepard and the Aesthetics of Performance - What is Theatre? E. Creedon
Sam Shepard and the Aesthetics of Performance - What is Theatre?
E. Creedon
By concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.
Marc Notes: Includes bibliographical references and index. Table of Contents: Introduction1. Surrealism and Sam Shepard's Early Plays: 1964 19672. Myth, Ritual and a Search for Selfhood: Surrealism in Sam Shepard's Plays from 1969 to 19723. Sam Shepard's Family Plays and the Representation of Gender4. A Comparative Study of Sam Shepard's Angel City (1976) and Luis Bunuel's and Salvador Dali's Un chien andal ou (1929)5. Tongues (1978), Savage/Love (1979) and The War in Heaven: Angel's Monologue (1985): Joseph Chaikin and Sam Shepard in Collaboration6. States of Shock (1991) and Simpatico (1994): Performances of Waste7. Conclusion: Through the 1990s and Beyond"Biographical Note: Emma Creedon has lectured at University College Dublin, Ireland and the National University of Ireland, Galway. She has also worked as a playwright and theatre director and her work has been published in the Journal of Contemporary Drama in English and Word and Text: A Journal of Literary Studies and Linguistics. Dr. Creedon was awarded her PhD from University College Dublin.
| Media | Books Hardcover Book (Book with hard spine and cover) |
| Released | July 22, 2015 |
| ISBN13 | 9781137530578 |
| Publishers | Palgrave Macmillan |
| Pages | 199 |
| Dimensions | 147 × 225 × 18 mm · 400 g |