Wright

An Essay to Instruct Women How to Protect Themselves in a State of Pregnancy ... Also, Some Observations on the Treatment of Children, Which ... May Ward Wright

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++John Rylands University Library of ManchesterT204092London: printed for the author: and sold by J. Barker, Lee and Hurst, and J. Kirby, 1798. [2],36p.; 8 Contributor Bio:  Wright Lou Anne Wright holds an M. F. A. in Voice, Speech and Dialects Coaching & Training from the National Theatre Conservatory. She is a Certified Teacher of Fitzmaurice Voicework. As a voice and dialect coach, she has worked with many professional and regional repertory companies, including the Denver Center for the Performing Arts. She is co-author of the book PLAYWRITING: FROM FORMULA TO FORM, published by Thomson Wadsworth. Her screenwriting credits include the film adaptation of Eudora Welty's THE HITCH-HIKERS, which featured Patty Duke and Richard Hatch (and for which she was nominated for the Directors Guild of America's Lillian Gish award).