Blair, Robert: Young, Edward

The Graveyard School: An Anthology Blair, Robert: Young, Edward

Publisher Marketing: The poetry of the Graveyard School - gloomy meditations on mortality, often composed in churchyards - was immensely popular in 18th-century England and was an important forerunner of the Romantic period and a major influence on the development of the Gothic novel. Yet, despite the unquestioned significance of the Graveyard Poets, critical attention has been scant, and until now there has been no critical anthology of their works. "The Graveyard School: An Anthology" features works by thirty-three authors and provides a broad and comprehensive examination of the phenomenon of Graveyard poetry. Included are seminal works, such as Robert Blair's "The Grave," Thomas Parnell's "A Night Piece on Death," and excerpts from Edward Young's "Night Thoughts," as well as once-popular but now little-remembered poems by authors like Mark Akenside, James Beattie, and James Hervey. Of particular interest in this collection is its inclusion and discussion of authors not normally associated with the Graveyard School, such as Alexander Pope and Washington Irving, as well as a number of female poets, among them Susanna Blamire and Charlotte Smith. Edited by Prof. Jack G. Voller, who provides an introduction and extensive annotations throughout, this volume of melancholy and macabre verse is certain to be welcomed by scholars and students of 18th-century and Gothic literature, as well as those readers interested in the darker side of literature. Contributor Bio:  Young, Edward Edward Young (1681-1765) was an English poet, best remembered for Night Thoughts. Young is said to have been a brilliant talker. Although Night Thoughts is long and disconnected, it abounds in brilliant isolated passages. Its success was enormous. It was translated into French, German, Italian, Spanish, Portuguese, Swedish and Magyar. In France it became a classic of the romantic school. Questions as to the "sincerity" of the poet did arise in the 100 years after his death. The publication of fawning letters from Young seeking preferment led many readers to question the poet's sincerity. In a famous essay, Worldliness and Other-Worldliness, George Eliot discussed his "radical insincerity as a poetic artist." If Young did not invent "melancholy and moonlight" in literature, he did much to spread the fashionable taste for them. Madame Klopstock thought the king ought to make him Archbishop of Canterbury, and some German critics preferred him to John Milton. Young's essay, Conjectures on Original Composition, was popular and influential on the continent, especially among Germans, as a testament advocating originality over neoclassical imitation. Young wrote good blank verse, and Samuel Johnson pronounced Night Thoughts to be one of "the few poems" in which blank verse could not be changed for rhyme but with disadvantage. The poem was a poetic treatment of sublimity and had a profound influence on the young Edmund Burke, whose philosophic investigations and writings on the Sublime and the Beautiful were a pivotal turn in 18th-century aesthetic theory.